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All Hans Gude Oil Paintings


 
 
Hans Gude Winter Afternoon oil painting reproduction


Winter Afternoon
Date 1847(1847) Medium Oil on canvas Dimensions 50.5 x 36 cm (19.9 x 14.2 in) cjr
new24/Hans Gude-835536.jpgPainting ID::  81173
 

 

 
   
      

All Hans Gude Oil Paintings


 
 
Hans Gude Winter Afternoon oil painting reproduction


Winter Afternoon
1847(1847) Medium Oil on canvas Dimensions 50.5 x 36 cm (19.9 x 14.2 in) cyf
new25/Hans Gude-337757.jpgPainting ID::  85220
 

 

 
   
      

Hans Gude
  
March 13, 1825 ?C August 17, 1903,Norwegian painter. He was the most renowned Norwegian landscape painter of his time. At the age of 12 he was enrolled as a pupil of Johannes Flintoe (1787-1880). After attending evening classes at the Kongelige Tegneskole in Christiania, he went to D?sseldorf in 1841 to study privately with the landscape painter Andreas Achenbach (1815-1910). In 1842 Gude was admitted to the landscape class at the Akademie under Johann Wilhelm Schirmer. He was later appointed an assistant teacher at Schirmer private studio, and he succeeded his master as Professor of landscape painting both at the D?sseldorf Akademie (1854-62) and at the Karlsruhe Akademie (1864-80). In the 1840s Gude established his reputation in Norway and on the Continent with powerful images of the Norwegian mountains. These were shown in the Kunstforening galleries in D?sseldorf and Christiania and at the Berliner Akademische Kunstausstellung, where Gude exhibited throughout his life. Adolph Tidemand and Gude dominated the colony of Norwegian artists who studied in D?sseldorf in the mid-19th century. The two artists worked together on five paintings, all representing people in boats; Gude painted the landscape, Tidemand the figures. The Bridal Procession at Hardanger (1848; Oslo, N.G.) celebrates a ceremony of country life and is the most famous work of Norwegian National Romanticism. In a sunny western Norwegian landscape with snow on the high mountains, the bridal couple and wedding guests in national costume are shown rowing across the water from a medieval stave church on the headland in the background. Gude revealed greater maturity in High Mountain (1857; Oslo, N.G.). The disposition of mountains massed on the high plateau around a little lake produces an effect of monumentality. The predominant colours shade from grey to blue, concentrated in the cloud cover. The influence of Schirmer tranquil landscapes is apparent, while the rhythmic arrangement of light and shadow is reminiscent of Achenbach.
Winter Afternoon
1847(1847) Medium Oil on canvas Dimensions 50.5 x 36 cm (19.9 x 14.2 in) cyf

Related Paintings to Hans Gude :.
| Thomas Holcroft by John Opie | Rembrandt Harmenszoon van Rijn070 | Michelangelo- (40) | Vianey, Joseph Pierre -- Allegorie op de vrije liefde, een heer, een monnik en een bedelaar sprekend met twee vissers die een vrouw in een net gevangen hebben, 1761 | Albert Bierstadt(220) | | Arab or Arabic people and life. Orientalism oil paintings 223 | Petrach's Virgil | Fishing miracle | The muscles of arm, shoulder and neck | Donkey-baiting |


        

 

 

 

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